In Bong Joon-ho’s latest film, Robert Pattinson plays a space traveller facing a succession of death sentences.

Five years after Bong Joon-ho’s historic Oscars triumph with “Parasite,” the director has returned with his biggest movie yet: “Mickey 17.” The world of “Mickey 17” is imaginative yet familiar. Set only 30 years in our future,

Director Bong Joon-ho returns with the sci-fi comedy ‘Mickey 17,’ Lady Gaga drops the highly anticipated album ‘Mayhem,’ ‘Moby-Dick’ surfaces at the Metropolitan Opera, and more.

Bong Joon Ho had to make up a story to keep Harvey Weinstein from cutting his 2013 English-language debut, Snowpiercer.

Bong Joon Ho considers himself an optimist, even if it’s not exactly obvious from his work. “It doesn’t work to deny the dark reality, to just gloss over it,” he explained to me through his go-to translator (and awards season celeb) Sharon Choi.

Bong Joon-ho is a one of a kind. He's only made 8 films in the past 25 years, but each feature is a precious jewel, expertly chiseled and finely shined. There are a handful of thematic and narrative obsessions that he cleverly reworks throughout his films — the injustices associated with Capitalism,

South Korean director Bong Joon-ho’s latest film, Mickey 17, debuted at No. 1 in the North American box office, becoming the first film by a Korean filmmaker to achieve this feat. According to Box Office Mojo,

Director Bong Joon-ho’s latest film “Mickey 17” topped the North American box office over the weekend, a first-time feat for any Korean director.

The Warner Bros. film, starring Robert Pattinson, still won the weekend despite coming in on the lower end of expectations.

An intimate sci-fi epic, comical yet serious, romantic and gleefully bonkers, “Mickey 17” is South Korean filmmaker Bong Joon Ho’s first film since winning a record-busting four Academy Awards

Collider’s own Steve Weintraub was lucky enough to sit down with director Bong and his translator to talk about all things Mickey 17.